Showing posts with label thomas. Show all posts
Showing posts with label thomas. Show all posts

Tuesday, June 27, 2017

Poem by Tina Otito Tamsho Thomas Tribute to Albert Woodfox

Poem by Tina Otito Tamsho Thomas Tribute to Albert Woodfox


Tribute to Albert Woodfox
Angola 3 Political Prisoner


Each and all are waiting
Heart,
Spirit,
Mind.
Waiting for
the justice day,
Liberating Humankind.

Years forty three imprisoned,
conscious voice unarrested.
Waiting for
the justice day,
Liberty attested.

We will bring our warrior home,
gifted to the world,
Honouring
his justice day,
freedom flags unfurled.


Copyright©Tina Otito Tamsho-Thomas

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Tuesday, March 21, 2017

Oh! Ever Thus From Childhoods Hour Thomas Moore

Oh! Ever Thus From Childhoods Hour Thomas Moore


 
(Poem #1938) Oh! Ever Thus, From Childhood's Hour
 Oh! ever thus, from childhood's hour,
 I've seen my fondest hopes decay;
 I never lov'd a tree or flower,
 But 'twas the first to fade away.
 I never nurs'd a dear gazelle,
 To glad me with its soft black eye,
 But when it came to know me well,
 And love me, it was sure to die!
-- Thomas Moore
 (from 'Lalla Rookh, An Oriental Romance')

There is about "old" poetry - particularly that of the Romantic and Georgian
periods - a quality that I find sadly absent in more modern verse: the
underlying sense that rhymed and metrical verse is a *natural* medium in
which to express one's thoughts and writings. Today's excerpt is a wonderful
example of this sort of unselfconsciousness - the verse flows easily and
naturally, but the primary focus is the dialogue between Moore and the
reader, and at no point do we stop and feel that what he has to say is in
any way constrained by the requirements of the form.

While "Lalla Rookh" itself has faded into relative obscurity, the above
quoted lines - particularly the second quatrain - have remained both
well-known and popular. (In particular, no fan of Wodehouse can fail to be
familiar with the "dear gazelle"!). And though it is a verse that has
inevitably attracted its share of parodies, this is more due to its
distinctiveness than to any inherent mockability. (That said, some of the
parodies are truly delightful, such as Tom Hood Jr.'s

 I never nursed a dear gazelle,
 To glad me with its dappled hide,
 But when it came to know me well,
 It fell upon the buttered side.

or Henry Leigh's

 My rich and aged Uncle John
 Has known me long and loves me well
 But still persists in living on -
 I would he were a young gazelle.
)

I've remarked, about some of Moore's other works, that their salient feature
is their musicality; today's piece does exhibit the same wonderful sense of
the sound and flow of the words, but it is more of a background quality.
Also, the fact that this is not a standalone poem but part of an extended
epic lends it a very different character (and indeed, by choosing to excerpt
such a small piece, I have inevitably sacrificed some of that character). To
convey some idea of the tradeoff involved,
http://rpo.library.utoronto.ca/poem/1492.html for instance has a longer
excerpt that loses some of the distinctive beauty of the shorter piece, but
gives far more of the flavour of its setting.

martin

[Links]

Biography:
 http://en.wikipedia.org/wiki/Thomas_Moore

Full text of "Lalla Rookh"
 http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html

A bit about Lalla Rookh:
 [broken link] http://www.wwnorton.com/nto/romantic/topic_4/moore.htm

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